
The first book by ToM's own Alex Cummings, Democracy of Sound: Music Piracy and the Remaking of American Copyright recently dropped from Oxford University Press. Based on his dissertation at Columbia, the book traces the winding history of technology, property rights, and music since the invention of sound recording in the 1870s. From sheet music to piano rolls, and from reel-to-reel tape to CD-burners, new technologies have constantly raised the question of how sound and music ought to be regulated. Composers didn't want their songs to be used to make player piano rolls or wax cylinder recordings in the early twentieth century--unless, of course, they were getting paid for the … [Read more...]










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