
A few days after seeing Shane Carruth’s new film Upstream Color, it still seems hard to know where to begin. Carruth was the come-from-nowhere savant, trained as an engineer, who made Primer, perhaps the most realistic and compelling movie about time travel ever imagined, filmed in the suburbs of Dallas on a vanishingly small budget ($7,000). That was 2004. The densely plotted and lapidary filmic wizardry of Primer suggested an indie filmmaker of great ambition, one who could follow in the steps of Christopher Nolan and Memento and jump from high-concept underground films to “conglomerate-backed mall-magnets, another Bryan Singer or Darren Aronofsky,” as Wired recently put … [Read more...]










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